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Weekly Update 11th May 2006 | why am I getting this email?
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Dear ${token1} ${token2} Please confirm your subscription to the free Adbrands Weekly Update by clicking here or on the link at the foot of this email. Thank you for your assistance! Our favourite ad this week:
Once again, 118 118 achieve brilliance with a parody of Honda's advertising. This viral, produced by WCRS's digital agency Meme, spoofs the car company's "choir" ad to ludicrous extremes. See it online at http://www.the118118team.com/ and laugh out loud. New Snapshot
Advertising: Who handles advertising? Click here for agency account assignments from adbrands.net. Competitors: see Financial & Insurance Sector index for other companies Recently Revised Profiles and Snapshots
In the news this week: Advertisers
In the news this week: Agencies
Meanwhile UK trade bible Campaign reported last week that Johnson & Johnson, one of Interpublic's biggest global clients, is considering a realignment of its creative and media business, mainly divided up between McCann, Lowe, Initiative and Universal McCann. True? We'll know if and when it happens, but one of the biggest problems facing a group in Interpublic's position right now is that rumours of account defection can easily become accepted as truth, a fact often ruthlessly exploited by rival agencies keen to undermine a competitor. Meanwhile, Lowe London's CEO Garry Lace, who was suspended by Interpublic a few weeks ago, has officially "resigned" from the agency. Lace was alleged to have met with former network founder Frank Lowe, who came out of retirement last year to poach Lowe London's prized Tesco account for his new start-up agency. Capping a lousy week, Interpublic reported another set of poor financial results for the first quarter of 2006. Revenues were flat and net losses increased from $151m this time last year to $182m. In a welcome glimmer of good news, organic revenues grew 5%, partly as a result of increased spending by existing clients. The group said it has not yet made a decision whether or not to merge its FCB and Draft networks, an idea floated a fortnight ago.
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edited by Michael Newman (John Wiley & Sons) With a big nod to Al Ries and Jack Trout, whose "22 Laws..." series has become required reading for any self-respecting marketer, Michael Newman goes one step beyond by pooling the collected wisdom of the world's leading practitioners in advertising. Newman approached a broad selection of the industry's best-known gurus and asked each to suggest and explain his or her own personal mantra. As a result, as Saatchi's creative director Bob Isherwood says in the foreword, this is "22 books for the price of one". More importantly, as the tagline "and when to violate them" suggests, Newman and his contributors set out to demonstrate that advertising laws are not in fact irrefutable, immutable or any other sort of utable, and that there are often the best reasons for ignoring them. Better still, Newman offers a decidedly cosmopolitan view of what makes great ads. Unlike most such books, which tend to view the industry through American eyes, Newman's panel is multicultural in the widest possible sense. A former ECD of Saatchi & Saatchi Australia, there is a strong Asian Pacific slant to this book, with contributions from several fellow Australasians (including New Zealander Kevin Roberts, now Saatchi's worldwide CEO), as well as Jim Aitchison and Ian Batey from Batey Ads in Singapore, and Neil French, the former O&M Asia Pacific and WPP worldwide creative chief. Others include Jean-Michel Dru of TBWA, Marcello Serpa of Almap BBDO Brazil, Sebastian Turner of Scholz & Friends in Germany, and Graham Warsop of South Africa's The Jupiter Drawing Room, as well as the UK's MT Rainey (ex Rainey Kelly Campbell Roalfe/Y&R) and Dave Trott (ex GGT, now Walsh Trott Chick Smith). And providing those American eyes - Allen Rosenshine (ex BBDO) and Dave Lubars (BBDO and Fallon) among others. Oh, and for good measure, Al Ries as well, who recaps and updates his original Law of Positioning, first conceived more than 20 years ago. Not all the laws included here are quite as strategic as Ries's. After all, advertising is a gut-instinct discipline. Marcello Serpa, for example, offers the Law of Simplicity ("What is simple moves people. It is the revelation of the obvious: 'Gee, why didn't I think of that before?'"); Ian Batey argues on behalf of Consistency of message and campaign elements; M&C Saatchi founding partner James Lowther proposes that great staple of the best ads, Humour. Others talk about Emotion, Relevance, Experience, and so on. Perhaps the most interesting, if only because they offer an unfamiliar insight into less well-studied advertising markets are Sebastian Turner's Law of Jump ("Whenever great minds change the world, they jump") as applied to the German market; and especially Graham Warsop's cryptic Law of the Silver Elephant, which he defines thus: "great advertising relies on the imagination of one or more individuals who have the desire (1) to bring something into the world that has never existed before, (2) to do so in such a way that it surpasses what has been done before." Finally it is left to MT Rainey to sum up the contradictions inherent in a book about the "laws" of advertising. In a chapter entitled The Outlaw, she points out that advertising, after all, depends for its success on originality and creativity, two principles which rely fundamentally about breaking laws not following them. All in all, the book offers an excellent, entertaining and sometimes profound contemplation of that most elusive of goals: great advertising. DECLARED ADVERTISING
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